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Audient ASP4816-SE Small Format In-Line Analog Recording Console Supply
Original price was: $24,999.00.$7,499.70Current price is: $7,499.70.
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Description
Audio professionals looking for a mixing console with large-frame capabilities in a small form factor will be thrilled with the Audient ASP4816-SE, a standard-edition, in-line, full-analog, recording, and mixing console that provides everything you d expect from a large-format recording console, but in a space-friendly footprint. Built from the ground up, the console was designed by David Dearden and features his legendary analog circuitry. The ASP4816-SE is the perfect centerpiece of any production studio.
At a Glance
- 16 Audient mic preamps
- 40 faders
- 48 inputs at mix
- 16 record buses
- 8 subgroups
- 42 inputs
- 6 aux bus, 2 cue sends
- In-line architecture—twin inputs on each channel
- 4 stereo monitor outputs
- Advanced monitor control
- 4-band splitable EQ
- Stereo VCA mix bus compressor
- Footswitch for talkback control
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- Designed to deliver ultralow noise and low distortion with a touch of classic analog warmth, ASP4816-SE’s 16 discrete hybrid Class-A preamps are ready to handle any microphone, instrument, or source you can throw at it.
- With a flexible topology, offering up to 60 dB of gain and an incredibly wide bandwidth, ensuring your transient detail is accurately preserved in stunning resolution, the Audient preamp gives you a versatile and flexible solution ready for any session.
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- Character: clean, punchy with a touch of warmth
- Wide bandwidth: preserves your audios transient detail
- Flexible topology: optimized gain range 0 to 70 dB gain
- Low noise floor: 30,000 times quieter than the signal level
- Circuitry: discrete Class-A high-grade op-amp design
- Transformerless: RF immune input stage for detailed resolution
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- Often likened to classic analog boards from the 80s, the Audient mix bus compressor does far more than just control levels, it adds weight, depth, and warmth to your mix as well as helping to glue your production together for a more polished result.
- Featuring adjustable ratio and threshold controls, auto-release settings, and a gain reduction meter, the Audient mix bus compressor is more than equipped for adding those final touches to any production.
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- The massively flexible Dearden designed EQ offers two fully parametric bands that span from 40 Hz to 20 kHz, are adjustable from -15 dB to + 15 dB and offer an adjustable Q control. These are flanked by low- and high-shelving EQ bands with the ability to engage the ‘Air’ button for that often-needed finishing sheen.
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- The EQ can also be split across both the short and long faders, meaning you can EQ both your mic inputs and DAW returns at the same time, making it incredibly easy to start building your mix from the moment you start recording.
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- The ASP4816-SE features an astounding amount of connectivity for such a compact frame size. With 48 channels, over 40 insert points, 8 sends, and 8 groups available on mixdown, the ASP4816-SE will handle the most comprehensive of mixing and tracking tasks.
- And with so many sends, buses, and inserts available, when partnered with a suitable patchbay, the ASP4816-SE offers an incredible number of routing options for creative bouncing, summing, and parallel processing all with none of the problematic phase and latency issues that digital systems can have.
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- The ASP4816-SE makes signal flow a breeze with flexible routing, one knob per function, no menus or hidden features, and no need to worry about latency—making working on the console fast, intuitive, and most importantly, fun.
- The console’s in-line architecture will let you start building your mix as you’re tracking. By using the long and short faders, you can create separate record and monitor paths on one channel strip, all while being able access the consoles splitable EQ and aux sends, ideal for getting it right from the start.
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- 4 stereo monitor outputs
- Main mix + 3 stereo sources
- 2 foldback outputs
- Mono summing
- Talkback functionality
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Bigger Isn t Always BiggerThe ASP4816-SE utilizes clever circuit board design to provide you with the versatility and sound of a large-format recording console but in a beautiful, space-conscious package, making it the ideal analog console solution for even the smallest of studios.Audient ASP4816Â Specs
MixerNumber of Analog Input Channels 42 Number of Mic Preamps 16 Analog Output Channels 16 x Mono Tape Record Output
8 x Mono Bus Subgroup Output
4 x Stereo Control Room Monitor OutputMax I O Capacity 42 x Input  32 x Output Mix Routing 8 x Mono Aux Send per Aux Bus Subgroup
4 x Stereo Aux ReturnFaders 32 x Channel Fader
8 x Bus Subgroup Fader
1 x Master FaderMeters Channel Meter:
16 x 20-Segment LED
Main Meter:
2 x Multi-Segment LEDMeter Range -30 dB to +18 dB Peak Clip Meter Calibration 0 VU on Meter = +4 dBu at Main Output Signal ProcessingGain Trim Range Mic:
+6 dB to +60 dB
Line:
-14 dB to +40 dBInput Polarity Normal Reverse Dynamic Processing None Compressor Parameters Bus:
Threshold:Â -20 to +20 dB
Ratio:Â 1:1 to 10:1
Attack:Â .1 ms to 30 ms
Release:Â .1 ms to 2.4 sec
Makeup Gain:Â 0 to 40 dB
EQ Input Channels:
4-Band EQ (Mono Channels)EQ Parameters Mono Channels:
High: ±15 dB at 10 kHz to 18 kHz (Shelving)
Low: ±15 dB at 50 Hz to 100 Hz (Shelving)
Hi-Mid: ±15 dB at 450 Hz to 20 kHz, 3.8 to 0.65 Q (Parametric)
Lo-Mid: ±15 dB at 50 Hz to 1.5 kHz, 3.8 to 0.65 Q (Parametric)Graphic EQ None Filters Input Channels:
16 x High-PassSolo Mute Solo-in-Place AFL, Mute, PFL per Input Channel, Bus Built-In Effects None PerformanceHeadroom +14 dB Frequency Response 20 Hz to 20 kHz +0 -3 dB Max Input Level Mic Input:
+21 dBu at Min Gain (Balanced)
Line Input:
+30 dBu at Min Gain (Balanced)
Insert Return:
+21 dBu (Balanced)Output Level Aux Main Subgroup Output:
+126 dBu at Max Gain (Balanced, 2 Kilohms)
Aux Insert Send:
+120 dBu at Max Gain (Balanced, 2 Kilohms)Crosstalk Mix Bus Assign, Channel Fader Off:
> 90 dB at 1 kHzCMRR Mic Input:
70 dB (Minimum Gain)
75 dB at Max GainTHD+N Mic Line Input to Main Output:
< 0.005%ConnectivityAnalog Inputs 16 x XLR 3-Pin Balanced Mic Input
16 x 1 4 TRS Balanced Unbalanced Line Input
6 x XLR 3-Pin Balanced Stereo Playback Input (3 Stereo Pairs)
32 x 1 4 TRS Insert ReturnAnalog Outputs 3 x XLR 3-Pin Balanced Stereo Main Output (3 Stereo Pairs)
2 x 1 4 TRS Balanced Stereo Mix Send (2 Stereo Pairs)
32 x 1 4 TRS Insert Send
3 x DB-25 25-Pin Balanced Subgroup OutputPhantom Power +48 V, Selectable On Off Digital I O None Bluetooth None PowerAC Input Power 90 to 264 VAC, 50 60 Hz AC Power I O 1 x IEC Input Power Consumption 200 VA PhysicalRack Mountable No Dimensions 42.9 x 13.2 x 39.2 1090 x 335 x 995 mm Weight 198 lb 89.8 kg Additional Information
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Monitor ControlA fully featured monitor control section offers full artist communication, footswitch enabled talkback control, solo in front, powerful source selection, and loudspeaker control with a short passive signal path for incredibly clear and accurate monitoring.Â
Flexible Routing
I O Connections
Splitable
4-Band Audient EQPowerful and musicalÂ
VCA Bus Compressor
Mic Pre TechnologyDesigned by David Dearden (of DDA & Advision Studios) back in 1997, the Audient mic pre is an all-discrete high-grade op-amp design that delivers low noise, low distortion, and high common mode rejection at all gain levels, offering a faithful reproduction of the source with just enough color to give the signal some character.Â
Professional In-Line Analog Console
